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Beginning as an artist in the
mid 1960's, an ongoing theme has been the interplay between the fire of
ideas and the expressive language of the body, and its appearance in
art. The art making has asked for new ways to think about art, for new
language to express the present. This project has become a confrontation
with the Western mindset, one lodged in either/or, materialism,
literalism, and proposes alternative perspectives. An early
influence from l965 on was Eva Hesse who made the industrial language of
minimalism her own--- earthy, organic, and related to the body. Her
studio visit was inspiring and in the 70s I took up her attitude, along
with the deconstructive idea of the time, recasting the elements of
painting (Gesso Works 1974-78). Throughout the eighties and early
nineties I lived and painted from lofts in Soho. Louise Bourgeois
showed there, appeared at AIR meetings, and I later attended the salon
she held in her home. Her approach to sculpture, emanating from emotion,
memory, and psychology, encourages me. My work shifted to sculpture,
and I moved to Dumbo in Brooklyn where I work today. Strands of
overlapping influence grew: practicing tai chi chuan, with the Tao's
inseparability of opposites; Warburg's Atlas Mnemosyne rupturing linear
and logical art history with image clusters and the god Atlas of
antiquity who upheld the threshold between night and day; Jungian
thought which shows the psyche in myth. Thus, the art is
nourished by the contemporary, but has imported its primary energy from
outside the artworld. The custom modeling methods and techniques using
paper and original gesso, cast this new energy into form. My sculpture
and drawing affirm the fertility and inseparability of idea and emotion,
bring to visibility ancient hidden structures of meaning, and aim to
function socially by reawakening public space with new means of
reflection.
Links: Eva Hesse Louise Bourgeois Chen Man Ching
References: James Hillman, Archetypal Psychology Marie-Louise von Franz, Archetypal Dimensions of the Psyche Rafael Lopex-Pedraza, Cultural Anxiety
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